Category: Foreign Films, Horror, Science-Fiction/Fantasy, Sex, Japanese
Director: Shozin Fukui
A cybernetic sex android is let loose into the world without a memory. Wandering around Japan, Pinocchio finds Kyoko, another amnesiac with a horrible secret to her own memory loss. Together they try to piece their lives and live in a world where memory is no longer needed. At the same time, Pinocchio's fiendish architect and master is desperately trying to find his lost prototype before the world finds him. As agents hunt down Pinocchio, the sex android begins to unravel in what can only be said is a hallucinogenic thrill ride that has to be seen to be believed.
A cult film in its native Japan, PINOCCHIO 964 stretched the boundaries of the cyberpunk horror film established by TETSUO: THE IRON MAN. Pinocchio is a sex cyborg cast out by his owners into the world. Wandering aimlessly, he comes across derelict Himiko, and together they try to eke out an existence for themselves. But Pinocchio's creators are loath to let him drift and risk capture, and so seek him out to destroy him. Shozin Fukui, who was an assistant on TETSUO, explores the concepts of bodily invasion and the relationship between man and machine like a Japanese David Cronenberg. The film oscillates between static calm and explosive violence emphasized by reeling camerawork and editing, mirroring the slow unraveling undergone by its protagonist.
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[asian movie] Pinochio 964
